On Saturday, 5 December 2026, four electronic sets activate the former Lahore Flying Club hangar. Reclaimed packaging, woven plastic sacks and air-filled forms give the show its architecture.
GODAM is a site-specific electronic music programme by Lahore Community Radio. Four sets unfold inside a former aviation hangar, where the space changes with the music.
Discarded packaging, woven industrial sacks and air-filled forms become part of the set. Fans and a central mechanism move the plastic. Light passes through layers of film, bringing the silhouettes of performers and the crowd into view.
The materials come from Lahore’s everyday life. The set gives them a second use at the scale of the hangar.
04 / THE VENUECBD PUNJAB · FORMER WALTON AIRPORT
Former Lahore Flying Club hangar
Inside the hangar.
The long roof spans and open floor give the set room for suspended translucent walls, moving forms and light. Four DJ sets bring the space to life over the course of the night.
Four electronic sets open with JJ and close with SGAMO. Each artist brings a different approach to the room, with light and movement changing across the night.
01 / OPENING SET · 60 MIN
JJ
DJ & curator
JJ is a founding member and lead curator of Dosti, the Lahore cultural collective behind Dosti Mubarak and Dosti × Ahadadream. He has shaped the collective’s music programming and opens GODAM’s Saturday session.
Zoya’s selections move through jungle, bass and UK garage. Her sets bring a creative, rhythm-led approach to club music, and she appeared on the Dosti × Ahadadream lineup in Lahore.
Lahore-based DJ and producer MALIK. co-founded Miracle Mangal. His recent six-track EP IRIDESCENCE, released via Silent Roar, moves between bass, jungle, UK garage and hardgroove. He has performed for Boiler Room Pakistan and played Dosti × Ahadadream in Lahore.
Raised in Bari and shaped by Milan’s underground, SGAMO mixes bass music, baile funk and club sounds from across the world. His platform wegoing.sound has brought Rinse FM and Keep Hush programmes to audiences in Italy and Asia.
Plan / Threads carry motion from the central mechanism to the inflatables along the walls.ILLUSTRATIVE · NOT TO SCALE
Existing boundary
The purple line in the sketch.
Taped event extent
The red line marks the production footprint.
Hollow plastic walls
The blue lines mark walls about 2 ft deep, suspended from a steel-wire grid. Inflated tubes move within them.
Kinetic sculpture
Threads carry mechanical movement from the centre to inflatables along the walls.
Industrial fans
The fans are mounted in vertical banks behind the booth.
Airflow
Curved paths show airflow from the fan banks towards the inflatables.
Flasher rails
Two vertical lighting strips sit between the three fan banks.
Performance platform
The DJ booth and speakers sit in front of the fan banks.
Corner fixtures
Angled lights from the corners cut across the installation.
Perimeter wash
Fixtures along the sides wash the walls with light.
Translucent layers
Front and rear faces catch light at different depths.
Moving shadows
Shadows shift as light crosses the film, inflatables and bodies.
Viewing position
Looking in from the red taped event boundary.
Translucent side wall
The outer skin reads as a continuous layered surface from the side.
Stage and fan frame
The structure and platform sit behind the film.
Entrance bay
A smaller inflatable sits near the entry, separate from the main enclosure.
Stage row
Illustrative coverage from the fixture row behind the booth.
Side fixtures
Perimeter units throw light across the translucent walls.
Angled PARs
Entry fixtures direct light inwards across the two bays.
Fixture isolation
Use the selector to see each group independently.
Front elevation
Fan banks and stage levels.
Side section
Platform depth and frame.
Plan view
Enclosure, walls and entry bays.
Lighting plan
Fixture positions and directional coverage.
07 / SET DESIGNMATERIAL & LIGHT REFERENCES
From packaging to the dancefloor
Building the dancefloor.
Discarded packaging, woven plastic sacks and air-filled forms shape the room. Programmed light passes through layers of film, revealing the movement of the set and the people inside it.
01 / DISCARDED PACKAGING / MATERIAL TEXTURE02 / EVERYDAY FILM / TRANSLUCENCY03 / INFLATED MODULES / REPETITION04 / SUSPENDED FILM / LAYERED WALLS05 / AIR-FILLED FORMS / MOVEMENT OVERHEAD06 / TRANSPARENT SHEETS / BODIES IN LIGHT
08 / COORDINATIONARTISTS & VENUE
Show coordination.
Lahore Community Radio will coordinate show-day access and technical requirements directly with the artists and venue team.
Artists
Share your technical rider and any equipment requirements with LCR. Confirm arrival and soundcheck times with the production team.
Venue
Coordinate load-in, load-out, site access, power and approved rigging points with LCR. The drawings in this brief show the proposed production layout.
Recording
LCR plans to record the performances and document the night. Please flag any recording or publication restrictions when coordinating with the team.